Mark 14

A pull-out from the classic Carols and Lullabies collection, this traditional Spanish carol in four parts also includes English text. The accompaniment includes marimba, harp, and guitar for a truly

Based on the familiar German hymn HERLIEBSER JESU, this unaccompanied motet offers a sublime musical experience for congregations and audiences alike during the season of Lent. Anchored by a homophonic

An instrumental duet for viola or clarinet in Bb, violoncello, and piano based on the hymn tune NEW BRITAIN (AMAZING GRACE.) Opening with a sostenuto piano introduction supporting pulsing 8ths in the

Based on Angels We Have Heard on High, this new arrangement opens with shepherds, represented in the music by tenor and baritone soli, hearing angel voices "o'er the mountains, guided by a Holy

This arrangement of Ani Ma'amin employs an old Jewish folk melody. It is said that during the Holocaust of WWII, Jewish prisoners in German concentration camps sang this song as they were being

Created for the choir of the American Church in Paris. The ancient Latin text is sung as a refrain by the choir: "Ave Maria, dulcissima Maria, vera spes et vita!" The soprano soloist intersperses an

This concise setting of the Ave Maria text has the flavor of a folk song with flowing choral lines and a complementary piano accompaniment.

SATB divisi with piano accompaniment. The melody for the current setting is attributed to Rabbi Nahman of Bratslav (1772-1811), the great-grandson of the founder of the Hassidic movement. The text is by

A collection of nine accessible and delightful songs set for medium-low voice and piano. The dates of composition range from 1978 to 2003. Text authors featured in this collection include E.E. Cummings,